Numerous common names reflect these epitaphs of Krishna. It is an instrument associated with Lord Krishna. The bansuri is not just a musical instrument, because it has a great cultural and religious significance among Hindus.

The venu is very popular in all south Indian styles. Venu is the south Indian flute and is used in the Carnatic system. It was previously associated only with folk music, but today it is found in Hindustani classical, filmi, and numerous other genre. It typically has six holes, however there has been a tendency in recent years to use seven holes for added flexibility and correctness of pitch in the higher registers.

The bansuri is used in the North Indian system. There are two main types bansuri and venu. The flute may be called many things in India: bansi, bansuri, murali, venu and many more. This is usually considered to be just a toy because the absence of any embouchure limits the flexibility of the instrument. The fipple variety is found in the folk and filmi styles, but seldom used for serious music. This is the preferred flute for classical music because the embouchure gives added flexibility and control. The transverse variety is nothing more than a length of bamboo with holes cut into it. There are two varieties transverse and fipple. They are typically made of bamboo or reed. Please see full site jasonkalidas.Homepage > Instrumental Music > Instruments > This Page BANSURI AND VENUīansuri and venu are common Indian flutes. Jason now tours in India in winter and in UK/ Europe over summer months He went on to study with Bansuri Master Dr Shanish Kumar in Varanasi and has taken tuition with Pandit Rajendra prasanna in Delhi. Jason Kalidas studied Bansuri under a family of Bansuri and Shehnai players in Varanasi who supported the great Shehnai master Ustad Bismillah Khan. Jason Kalidas’s music has been described as a ‘healing’ as well as exhilarating. His playing is known for its delicate grasp over the mode of the Raaga and (due to his roots are in Tabla and percussion) for its highly rhythmic approach. He spent 10 years of intense study on Tabla until he began training in Bansuri and Raaga music in 2005. He progressed to training in Tabla in 1995, first though Baluji Shrivastav in UK and then Ishwal Lal Mishra in Varanasi. Bansuri player Jason Kalidas was born in London UK, he started his music life as percussionist in the 80s.

Bansuri and tabla